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15th Apr 2012 | 4 notes | Posted by artlog
15th Apr 2012 | 5 notes | Posted by artlog
15th Apr 2012 | 18 notes | Posted by artlog
14th Apr 2012 | 49 notes | Posted by artlog
14th Apr 2012 | 39 notes | Posted by artlog
13th Apr 2012 | 15 notes | Posted by artlog
Larry Rivers, Amel-Camel, 1962. Courtesy of Williams College Museum of Art. John Chamberlain’s characteristic use of scrap metal from cars began during a 1957 stay with painter Larry Rivers.

Larry Rivers, Amel-Camel, 1962. Courtesy of Williams College Museum of Art.

John Chamberlain’s characteristic use of scrap metal from cars began during a 1957 stay with painter Larry Rivers.

13th Apr 2012 | 21 notes | Posted by artlog
John Chamberlain, Shortstop, 1957. John Chamberlain’s characteristic use of scrap metal from cars began during a 1957 stay with painter Larry Rivers.

John Chamberlain, Shortstop, 1957.

John Chamberlain’s characteristic use of scrap metal from cars began during a 1957 stay with painter Larry Rivers.

12th Apr 2012 | 14 notes | Posted by artlog
Image of Black Mountain College Students with Buckminster Fuller’s work. John Chamberlain was both a student and teacher at Black Mountain College between 1955-56.

Image of Black Mountain College Students with Buckminster Fuller’s work.

John Chamberlain was both a student and teacher at Black Mountain College between 1955-56.

12th Apr 2012 | 3 notes | Posted by artlog
Image of Black Mountain College faculty. John Chamberlain was both a student and teacher at Black Mountain College between 1955-56.

Image of Black Mountain College faculty.

John Chamberlain was both a student and teacher at Black Mountain College between 1955-56.

11th Apr 2012 | 7 notes | Posted by artlog
David Smith, Sculpture Group, 1956-57. Smith’s sculptures influenced John Chamberlain’s early welded steel sculptures while Chamberlain was attending the Art Institute of Chicago.

David Smith, Sculpture Group, 1956-57.

Smith’s sculptures influenced John Chamberlain’s early welded steel sculptures while Chamberlain was attending the Art Institute of Chicago.

11th Apr 2012 | 8 notes | Posted by artlog
David Smith, Hudson River, 1951. Smith’s sculptures influenced John Chamberlain’s early welded steel sculptures while Chamberlain was attending the Art Institute of Chicago.

David Smith, Hudson River, 1951.

Smith’s sculptures influenced John Chamberlain’s early welded steel sculptures while Chamberlain was attending the Art Institute of Chicago.

10th Apr 2012 | 11 notes | Posted by artlog
Willem de Kooning, Woman V, 1952/53. Artist John Chamberlain discussing the influence of Abstract Expressionists on his work: “Kline gave me the structure. De Kooning gave me the color.”

Willem de Kooning, Woman V, 1952/53.

Artist John Chamberlain discussing the influence of Abstract Expressionists on his work: “Kline gave me the structure. De Kooning gave me the color.”

10th Apr 2012 | 25 notes | Posted by artlog
Franz Kline, The Ballantine, 1958-60. Artist John Chamberlain discussing the influence of Abstract Expressionists on his work: “Kline gave me the structure. De Kooning gave me the color.”

Franz Kline, The Ballantine, 1958-60.

Artist John Chamberlain discussing the influence of Abstract Expressionists on his work: “Kline gave me the structure. De Kooning gave me the color.”

29th Mar 2012 | 3 notes | Posted by artlog
Tomorrow (Friday, March 30) is the deadline to submit your questions for our live Twitter Q&A with Guggenheim Senior Curator Susan Davidson, curator of John Chamberlain: Choices. If your question is selected for the interview, you’ll have a chance to win a package including the John Chamberlain: Choices exhibition catalogue, a pair of tickets to the Guggenheim, and a pair of tickets to Artlog’s SoHo VIP tour and art crawl or Chelsea art crawl ($341 total value). John Chamberlain. Photo: Robert McKeever, courtesy Gagosian Gallery

Tomorrow (Friday, March 30) is the deadline to submit your questions for our live Twitter Q&A with Guggenheim Senior Curator Susan Davidson, curator of John Chamberlain: Choices. If your question is selected for the interview, you’ll have a chance to win a package including the John Chamberlain: Choices exhibition catalogue, a pair of tickets to the Guggenheim, and a pair of tickets to Artlog’s SoHo VIP tour and art crawl or Chelsea art crawl ($341 total value).

John Chamberlain. Photo: Robert McKeever, courtesy Gagosian Gallery